At Spazio Serra, the boundaries between art, politics, and provocation were stretched to the limit. This exhibition brought together the ongoing editorial rebellion of MANIFESTVM with the subversive photographic works of Roberto Mendoza, creating a space where consumption, control, and desire collide.
Through printed matter, immersive visuals, and interactive formats, the show questioned systems of authority while celebrating the freedom of queer imagination and artistic disobedience. Each piece was designed to be experienced, touched, and contemplated — not just seen.
The exhibition was an experimental ecosystem: part editorial, part archive, part manifesto, part spectacle. It challenged traditional modes of exhibition-making, turning the gallery into a printed, performative, and critically charged playground.
MANIFESTVM at Spazio Serra was more than an exhibition — it was a statement: art is material, critical, and unapologetically alive.